In the past year or two my fiction and non-fiction reading has generally tended to become focused on the Nordic and Russian/Slavic countries, by pure chance, and I’ve unearthed a great wealth of rewarding material. For example, my interests in Russian and Soviet history has dovetailed greatly with the rich and rewarding trove of literature that the citizens of the east have produced, and continue to produce. The latest novel that I find myself reading is the Soviet-era classic Life and Fate by Vasily Grossman, a thoroughly documented and powerful kaleidoscopic panoply of a Soviet society which finds itself engaged in total war with the fascist threat from Nazi Germany and her allies. It is a novel which very nearly did not see the light of day due to the harsh censors of the Soviet Union, but thankfully the volume was smuggled out and printed elsewhere.
However, it is a little collection of books that I’ve read recently that remind me that fiction and reality aren’t always so clear-cut, and that they often inform one another with varying viewpoints. I had the pleasure to read one of my favourite travel writer’s recent publications, Horatio Clare’s Icebreaker: A Voyage Far North (Penguin), over the festive holiday and was ably transported once again to somewhere quite new (and rather cold) as he undertook a mission to accompany a Finnish icebreaker crew.
Another recent publication is The Dark Blue Winter Overcoat & Other Stories (Puskin Press), edited by Sjón & Ted Hodgkinson, which brings together a wide range of Nordic writers producing short sagas set in the fantastical north. This reminded me of a volume I read a few years ago which was entitled Russian Magic Tales from Pushkin to Platonov (Penguin), edited by Robert Chandler, which took a historical approach to understanding the cultural importance of magic tales that underpin Russia’s literature over two centuries. This is an exquisite volume, one that allowed me to appreciate the form and beauty of often simple moral tales which bled into the surreal via the use of anthropomorphism. This can be seen in some of the works produced before and during the Soviet period (Platonov’s ‘The Foundation Pit’ say, or Bulgakov’s ‘The Master and Margarita’).
This was just a quick view into some of my recent reading habits and where they have led me. Let me know below if you’ve been having fun exploring literature and fiction from around the world!